No Parachute (60 Second No Lead Vocals)
Album: Psychedelic Hip Hop Songs
Title
No Parachute
Filename
PLX114_087_No Parachute_60 Second No Lead Vocals
Description
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - 60 Second No Lead Vocals
ComposerShadowfruit
(ASCAP) 50% [1074417663]Sidnie Tipton
(SESAC) 50% [690148732]
PublisherDouble Harmony A Publishing
(ASCAP) 50% [1139311186]Double Harmony S Publishing
(SESAC) 50% [1139498912]
ISRC
QM2ZU2413787
Released
June 3, 2024
Tempo
Medium
BPM
71
Alternative versions
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - Full
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Lead Vocals
Dreamy keys, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Vocals
Dreamy, flirtatious female vocals, guitar, and a strutting groove make for a sexy and smooth pop track. Version - No Bass
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Piano
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Rhythm Keyboards
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Guitars
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - No Synths
Dreamy keys, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - 60 Second No Vocals
Dreamy, flirtatious female vocals, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - 30 Second No Lead Vocals
Dreamy keys, popping bass, and a strutting groove make for a sexy and smooth pop track. Version - 30 Second No Vocals
2011-2026 Warner Chappell Production Music. All Rights Reserved. 